They actually dared to print it…!

Last Friday, I came home to a nice surprise: a single advance copy of my new book (seen here, in all its Amazon-based glory). The cover art, by Mark Postlethwait, is pictured above in its full form; it’s cropped a little horzontally to fit the book cover. Mark did a great job – it really has an illusion of motion to it. That’s Grover Siems shooting a Bf 109G off of Deacon Hively’s tail, by the way.

I have one copy so far, so please don’t feel bad you haven’t received one, if you’re one of the people who helped me out – I’ll be sending yours shortly, when I get a few more from Osprey.

Here’s what I think about the book: I like it a lot more than when I turned in the photos and manuscript! The design is very good, and there are a few extra photos plugged in that address specific incidents mentioned in the text ( a couple of which are “via Roger Freeman,” which are interesting since Roger’s died a little while ago and I have certainly not spoken to him since then). Chris Davey’s profiles are really nice; I compared them to profiles of some of the same planes that appeared in “P-51 Mustang Aces of the Eighth Air Force” and these are far superior in accuracy of markings and weathering. It’s impressive how much better the artists have gotten in the 15 years or so since Osprey started doing books of this ilk; you can thank the readers and their constructive criticism for that.

A couple of observations about this book:

1. There are a lot of dogs in the photos – Kidd Hofer’s Alsatian Duke is most prominent (he’s even labeled in a shot of personnel gathered at Debden, right next to Don Blakeslee), but there are others – Ken Peterson’s dog, Johnny Godfrey’s dog… The book is crawling with dogs.

2. There is no photo of “Shangri-La” after Don Gentile pranged it, but there’s a photo of it immediately before that mission, thanks to Wade Meyers.

3. There are a lot of photos of people who are mentioned in the text – which I think is a very good thing. It helps to humanize the stories, and I used a lot of contemporary accounts this time around, so putting a face with the words helps make things more involving.

It comes out for real on Nov. 18. Now, I just have to get the next book okay’ed by someone who doesn’t mind paying for it to be printed…